ENG 225: Mapping Out the Rest of Our Year

Today’s Plan:

  • Mapping Out the Rest of Our Year
  • Characters and Action Sentence Syntax
  • Reviewing Introductions
  • Submitting Your Draft
  • Additional Office Hours Wednesday, All Day Next Monday
  • 2 Points on Your Final Grade for Visiting the Writing Center!
  • Final Presentations

Mapping Out the Rest of Our Year

Here’s what we have left:

  • Nov 15th: Sentence Syntax / Introductions
  • Nov 17th: Ross Computer Lab / APA Formatting
  • Nov 23rd: Drafts of Final Papers Due in Canvas [Can be submitted earlier]
  • Nov 29th: Revising Prose / Revising Checklist
  • Dec 1st: Final Presentations
  • Final Papers are due December 9th

Today in Class

I have a syntax exercise and some introductions for us to review.

Let’s talk about thesis paragraphs.

Office Hours

I will have additional office hours in my regular office, Ross 1140B, on Wednesday from 1:00 to 3:30. As always, I will be in the library main foyer (by the coffee stand) on Friday from 1:00 to 3:30. And I will be in my office all day on Monday, Novemeber 22nd. Shoot me an email for a Monday appointment.

Lightning Talks

Resources:

  • Sign Up
  • Template [make a copy, submit link to Canvas]

For our final two class sessions, you will give 5-8 minute lightning talks on your final paper. If you are uncomfortable giving a “talk,” then you are welcome (and encouraged) to read a paper–a five minute talk is about 400 words. You also have the option of recording a powerpoint or recording a video–we can watch those in class.

I’ve created a barebones Google Slide template for your presentations. Feel free to add slides, change font/layout/colors, etc. Also, screen shots are awesome in a presentation (remember that Powerpoint is Evil)–you want your slides to contain concise points that you explain to us. Don’t put *too* much writing on a slide–you want the slides to highlight the main points of your talk.

My general expectation is that you will revise your longer paper down to about 3-4 pages double-spaced and have that somewhat memorized. So, again, reading a paper that is accompanied by a presentation is fine.

Sign ups.

APA Formatting Checklist

Let’s walk through some key points from your drafts.

Homework

For Thursday’s class, please have a draft of your paper including a reference / works cited page. We will be working on APA formatting in the Ross 1240 lab.

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ENG 123 14.M: Mapping Out the Rest of the Year

Today’s Plan:

  • Mapping Out the Rest of the Year
  • Labor-Based Grading and Final Extra Labor Opportunities
  • Williams and Bizup

Mapping Out the Rest of the Year

We are really in the home stretch now. Here’s the rest of the year:

  • Wednesday in Ross computer lab: One Last APA review
  • Friday: Research Presentation Sign Ups and Expectations
  • Next Tuesday at midnight: Final Draft due via Canvas
  • Week after the break: Research Presentations
  • Revised papers will be due Wednesday December 7th at midnight

Labor-Based Grading and Extra Labor Opportunity

Before Wednesday’s class I will email everyone with their current final grade. Remember that the number in Canvas doesn’t automatically include your extra-labor points. If you are looking to earn a few points between now and the end of the year, then I highly encourage you to schedule an appointment this week with the writing center. They can work with you on discussing your data, developing your lit review, revising your methodology, or front-loading your introduction. If you schedule a Writing Center visit this week, I will award you 2 points on your final grade. DO IT!

Research Presentations

I’ll talk more about these on Friday. I wanted to alert you that, when we get back from break, we’ll spend that week sharing the results of your research. Everyone will be expected to give a 5-6 minute presentation. I’ll supply a Google Slides template for the presentation Friday and we will sign up for presentation slots.

I’m expecting 20-21 people to present, so we need 6-7 people to sign up for each day. If history serves illustrative, then I realize I will need to incentivize people to present on Monday. So I will award 1 point on the final grade for anyone who signs up for Monday.

Williams and Bizup

I wanted to spend one more day talking about sentence syntax, especially as you are (hopefully) in the throws of writing your papers.

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ENG 225 10.T: Final Project Proposals

Today’s Plan:

  • Final Project Proposals
  • Homework

Final Research Project Proposals

You will need to make a copy of this document.

Homework

Make a copy of the proposal document above. Put together your research list as I talked about in class (proposal section on Preliminary Research).

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ENG 225 9.T/R: Methodology and Data Assignment

Today’s Plan:

  • Checking in on Data (Did everyone do the thing?)
  • Methodology and Data Assignment
  • Writing a Methodology Section
  • Writing about Data/Findings

Methodology and Data Assignment

This week we are going to finish up project 2. As I indicated at the start of the project, we aren’t writing a complete research paper here. A complete paper looks like this:

  • Introduction [introduces need for study, states the problem, supplies hypothesis, DICTATES FINDINGS AND RECOMMENDATIONS]
  • Literature Review (previous research)
  • Methodology
  • Data / Findings
  • Discussion / Recommendations
  • Conclusion [reviews findings, directs future research]

We are going to spend this week focusing on methodology and findings.

Writing a Methodology Section

Think of writing a methodology section as if you were writing a recipe for baking a cake. I specifically say baking and not, say, grilling, because baking involves chemistry. You can grill steaks that have been “seasoned with salt and pepper.” You don’t necessarily need exact measurements. Try baking a cake without exact measurements and tell me how that goes. So the first and most important lesson when it comes to writing up a methodology section is to be detailed and precise. A researcher should be able to read this section and recreate your data pool and your analysis, and expect to get similar results.

Generally, any methodology section has three primary concerns:

  • Collection: How did you collect/identify the stuff that you would analyze? How/did you make sure your sample was either random or focused? In our case, how did you put together the collection of games your team analyzed?
  • Analysis: How did you analyze them? What did you look for? How did you know to look for that? Who else has looked for that? How does your methods compare?
  • Reliability: What did you do to make sure your results were accurate? Did more than one person analyze each item? Did you hold norming sessions to ensure everyone is on the same page?

Let’s look at a sample methodology for a project that, apparently, I will never finish writing.

Let’s look at another methodology description from an article that I finished writing this weekend.

Notice how I mention specific technologies and processes. I’m doing my best to walk my reader through what I did step-by-step.

Working with Data

To be honest, data sections can feel a bit boring. In these sections you want to tell the reader, as clearly as possible, what you found. It is very common to use bulleted lists, charts, and/or graphs in these sections. We will make some simple graphs in class on Thursday.

Even if you insert a graph or a chart into a data section, you still need to write a descriptive paragraph that puts the findings into words. Different readers will look for different things–some like visuals and are comfortable with them, while others will skip the visual and look for a textual description. I tend to read and review both. So your data section needs to be ready to accommodate a range of readers.

Let’s look at a sample data section from a student report.

Generally, when I review data sections I am looking for two things:

  • Visualization: Does the section contain a table or graph of data?
    Can you understand the table or graph, or is there some mystery meat?
  • Textual Description: Does the writer make clear what the table or graph says?

It isn’t enough to just have some graphs. You also need to provide a clear and concise textual description of your graphs too.

Creating Graphs in Google Sheets

Today we are going to work on creating graphs in Google Sheets. I’ve put together a set of sample data with which we can work; the data is from my ENG 301 Writing as a Job class.

Visualizing Our Data: Let’s Make Some Graphs

Today we are going to work with the data we produced in the last class to generate, label, and modify some graphs in Google Sheets. Learning outcomes:

  • Inputting Data to the Template
  • Generating a Graph
  • Editing the Graph’s Axis/Labels/Title
  • Modifying the Graph’s Appearance
  • Inserting the Graph in a Google Doc

Inputting Data to the Template
Now you have to decide on which jobs your report will focus. You could write your report about all of the jobs. You could focus on Writing and Editing jobs. You could focus on Social Media and Marketing Jobs. Or Social Media, Marketing, and Design. Etc. Etc. My only requirement is that you report on more than one column of jobs.

In order to make it easier to generate graphs in Google Sheets, you are going to make a copy of this template and populate it with numbers. This will require you to do a bit more math.

Unless significant (something you want to highlight in your discussion), delete any columns that contain a zero or a really low number.

Generating a Graph
Here is a link to Google’s documentation on creating a graph in Google Sheets. Insert > Chart. Easy Peasie.

Editing the Graph’s Axis/Labels/Title
This is also covered in the documentation. Let’s change the title first to Figure 1. Tools and Technologies

Editing the Graph’s Appearance
Fonts
Label angle?
Neat trick: series > data labels

Inserting a Graph in a Google Doc

Two ways:

  • Right corner of graph: Three dots. Copy. Then paste in your document [benefit: graph is linked, if you change the spreadsheet, it will auto-update the graph]
  • Convert the graph into an image [benefit: easier to email to technophobes]

Describing Visual Data

Scroll down to the ways to describe visual data. .

Homework

Remember that your homework for this weekend is to write both a methodology and data section. We will begin our final project on Tuesday.

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ENG 123 9.M: What is a Content Analysis?

Today’s Plan:

  • Setting Up a Content Analysis
  • Homework

Setting Up a Content Analysis

Several people proposed doing a content analysis as their form of primary research. Today I want to go over how to set one up. We’ll look at a few examples from other classes and from my own research.

What is a content analysis? It is a form of qualitative research whereby we analyze texts based on a pre-determined coding scheme or set method. The worknets we used earlier in the semester involved two different methods–first, the word cloud generator (which simply counts and visuals the occurance of words) and, second, the bibliographic analysis, which “maps” out and weighs the sources found in a text. The former gives us rough insight into the central ideas in a text, the other leads us to find connections to other texts.

When it comes to doing a content analysis, there’s three primary questions a researcher has to address:

  • Collection:How did you collect/identify the texts that you would analyze? How did you make sure your sample was either random or focused?
  • Analysis:How did you analyze them? What did you look for? How did you know to look for that? Who else has looked for that? How does your methods compare?
  • Reliability:What did you do to make sure your results were accurate?

Let me start with the third, reliability. This usually requires what researchers call “triangulation,” which means you use multiple methods (preferably 3) to make sure that your data is sound. For content analysis, this ideally means that you have 2 or 3 people looking at the same texts to see if they are seeing the same things.

Investigating Female Protagonists in Popular Video Games

This is a student project from my ENG 225 Rhetoric and Gaming class.

  • Collection: We used Steam to identify a list of 150 games with a female protagonist. We then used Google to find full body images of those characters. We took screenshots of those characters and put them into a Google Slide show.
  • Analysis: We drew upon Anita Sarkeesian’s “Tropes Vs. Women” Feminist Frequency series to develop a set of questions to apply to every image. Working from her videos “Strategic Butt Coverings,” “Body Language and the Male Gaze,” and “Lingerie is not Armor,” and from the Hawkeye Initiative (which influences the later two questions), we developed the following four questions:
    • Is this character sexualized?
    • Is this character wearing clothing suitable to their task?
    • Would it be strange to see a man wearing a similar outfit?
    • Would it be strange to see a man in a similar pose?
  • Reliability: Every image was scored by two students. Non-contiguous scores were discussed by the group.

Analyzing Job Advertisements for Professional Writers

Investigating Bias and Reliability in News Media Coverage of George Floyd’s Murder

Since I just wrote about this one, let’s take a look.

If you are putting together a list of news sources, then I advise using the Ad Fontes Media Chart as part of your process.

If we have time left, let’s think about how we might develop a content analysis project for either gun policy, climate change, or mushrooms. Let’s start with climate.

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ENG 301 8.R: Social Media Crash Course

Today’s Plan:

  • Write a Go West Email; Alternative Assignment
  • Elements of Social Media Management
  • Let’s Craft Some Tweets
  • Photoshop: Let’s Crop and Adjust Some Images
  • Homework: Fadde & Sullivan Email (from Tuesday’s Class); UNCO Social Media Project. Due next Thursday: Proficiency Project Materials

Elements of Social Media Management

Tweet composition exercise:

We’ve been hired by Connexions journal to craft a media campaign promoting Fadde and Sullivan’s article. They want us to produce 3 tweets, and one Instagram post.

Mentions: @psulliva, @DrFadde

We’ll collect that work here.

UNCO English and Halloween

I’m saving the last 20 minutes of class to discuss this project.

In the fall of 2020, we designed a quick contest called the Trick or Tweet contest (which last year we renamed FiveSentenceFrights–follow the UNCO English department and submit your story to be eligible for a prize).

NOTE: Make sure you are designing a contest that you would actually participate in! Because, um, y’all will (and so will all your classmates).

Here is a link to the Google Drive folder for media assets.

Homework

There’s two things I would like you to develop for Tuesday’s class. First, I would like everyone to develop and submit to Canvas a potential Halloween social media project for the UNCO English department. Please keep your pitch to one page (single spaced). I will print out these pitches and we will review/refine them in class on Tuesday.

We’ll also spend time on Tuesday discussing Fadde and Sullivan.

Let’s review the schedule I mapped out last Tuesday:

  • Tuesday, Week 7: Grant Writing Crash Course. Homework: Revising the Project section of a grant application.
  • Thursday, Week 7: Design Crash Course. Homework: Redesigning a bad flyer. Read Fadde and Sullivan.
  • Tuesday, Week 8: Discuss Fadde and Sullivan. Designing Information crash course.
  • Thursday, Week 8: Social Media Crash Course. Homework: Designing social media materials. Work on Major Project. Begin drafting Presentation script.
  • Tuesday, Week 9: Review and refine UNCO Social Media project. Discuss Fadde & Sullivan Emails. .
  • Thursday, Week 9: Team Presentations [October 20th]

Here’s how I originally described the Team Presentation project:

At the end of the three weeks, you will give a presentations that does two things: first, it informs the audience about the book you have purchased and read. It gives us a concise and practical sense of the rules, tips, theories you have learned.
Second, it shares the results of your group’s major work project. Those are:

  • Grant Writing: Your major project will be to complete a revision of the Kush Desai grant application–revising the other sections of the grant. You will also put together a preliminary funding target report.
  • Design / UX: Your major project will be to design a flyer, brochure, and 3 instagram posts advertising our new Writing, Editing, and Publishing major. This project probably involves interviewing me.
  • Social Media: You will design a Halloween contest for Instagram (Facebook and Twitter?). This will require rules, posts, images, documentation for the department team [a mini-content calendar], etc.
  • Go West Documentary Team: Conduct an interview with a friend. I will provide you some documentation on how to record an interview. SUPER CRASH COURSE.
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ENG 123 8.W: Interviews and Focus Groups

Today’s Plan:

  • Interviews and Focus Groups
  • Homework

Interviews

Like focus groups, interviews are also constructed around recording responses to open-ended questions. Asking “yes” no questions, even with a “why?” follow up, tends to be counter productive.

For instance, don’t ask: “do you think gender portrayal in AAA video games is improving? … Why / not?” That might be an okay warm up question in a focus group (maybe), but if you’ve properly researched your interview subject, then you should be able to ask a more pointed, substantive question (move from attitudes to ideas): “What are some recent examples of games that are moving gender portrayal in more positive directions?” Or “Why, as the industry as a whole moves toward more positive portrayals, do you think games like Daddy’s Sugar Factory are still popular?” Good interviews will prompt experts to *think* rather than merely respond. And, like a good focus group leader, a good interviewer will be attuned to a subject’s comfort and mood–they can notice agitation and work to pull something more out of the subject (subtly re-asking a question).

So while you should enter an interview with a script of questions, you should also treat them as more free-flowing encounters. Great interviewers adapt their tone and approach to the specifics of the situation, paying close attention to their subject’s deportment and comfort level as the interview goes on.

Resources on interviews:

What is a prompt?

The goal of the prompt is not to get the respondent to answer a specific question but rather to provide the respondent with a device to think through and discuss a set of topics.

Jimenez and Orozco's 4 prompts: Grand Tour, Comparison, Counter-Factual, No-Limits

Let me try an example. Lets say I was going to interview someone on LGBTQ+ representation in video games. I could ask them a question like: “Do you think we need better representation in video games?” But this is a bad question. First, it is *really* leading them to say yes. Second, it is a “yes/no” question and offers them nothing to work through. What happens if I follow J&O’s four prompts?

My first question might become something like this:

  • Grand Tour #1: Where do you think we are in terms of representation of LGBTQ+ characters in games today as opposed to ten years ago? What milestones do you think of?
  • Grand Tour #2: For National Coming Out Day, Bungie officially announced the sexual orientations of 4 main characters. They identified St. 14 as gay, Eramis as lesbian, Mara Sov as bisexual, and Drifter as pansexual. What is your perspective on this kind of official announcement?
  • Counterfactual: So would you say we are past the point where these kinds of announcements matter?
  • Comparison: How do you compare what Bungie is doing here to, say, what Naughty Dog did in the opening chapters of Last of Us 2? [Follow up #1: If you had to chose one, which move is more impactful, LoU2 or Destiny? Follow up #2: How would you respond to accusations that LoU2 is gratuitous, using sexual activity as a selling point?]
  • No-Limits: What kinds of backlash do you think Bungie might face regarding this move? [Follow up: how might they best handle this backlash?]

My first two questions are both grand tour questions–I go from a general question to a reaction regarding a specific event. I move into counter-factual as a kind of follow up (counter-factual, because I imagine that my respondent WOULD think that representation matters a lot).
What happens if I follow Jimenez and Orozco and turn this question into a prompt? Something like:

Let’s take 5 minutes and think about how you might use J&O’s frame work to craft an interview question about gun policy, vaping, climate change, or some other topic. Indicate what kind of prompt you are crafting. Let’s put those questions here.

Focus Groups

Today I want to spend some time exploring focus groups. Focus groups can come in one of two generic flavors–either simple question/response (more common) or activity-based (less common). The value of a focus group lies in collecting a variety of perspectives *and* recording how people react to the ideas/opinions/experiences of other people. There is something unpredictably inventive, or choric, about the kind of dynamic conversations that focus groups can prompt.

  • Group size: 3-5, 6-8
  • Record discussion, assistant moderator takes notes
  • Generate an outline and a “script” of questions
    • Welcome
    • Overview of Topic
    • Ground Rules
    • First Question [Build Trust]
    • Follow Up Strategies
    • Second Question [Probe Attitudes]
    • Third Question [React to Commonplace / New Information]
  • Sample questions / activities
  • How to synthesize data

Let’s start by walking through this guide to focus groups by Richard Krueger.

Outside of academia, focus groups are generally used by marketing researchers.

You will also encounter focus groups in local journalism and political research

A potential activity.

Homework

Read the Corder essay and complete the post in Canvas.

Over the weekend I am going to ask everyone to focus on their methodology–even if I haven’t commented on the proposals yet, go back into your proposal and revise the primary research section. [If you are simply doing “extra research,” then just spend time doing research].

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ENG 301 7.R: Design Crash Course

Today’s Plan:

  • CRAP
  • What Not To Do
  • Works Every Time Layout
  • Homework

As I said last class, I do not consider myself a designer. But I am someone who, when the occasion arises, can design something. While I might not think of myself as a creative genius, nor as someone who knows the fine minutia of the discipline, I know enough to create something that will look nice, communicate its purpose clearly, and not ended up being mocked in front of a class like this one.

What I have always liked about Rhetoric and Composition as an intellectual field is that our analytical tools, the ways of seeing we develop, are methods for generating, creating, composing. That is, we look at things to learn how to (and how not to) make them. Flyers. Speeches. Video games. Societies.

Today we work with flyers.

Basic Principles

My first foray into design was Robin Williams’ Non-Designer’s Design Book. In it, Williams lays out the basic C.R.A.P.:

  • Contrast
  • Repetition
  • Alignment
  • Proximity

These principles still ground a lot of design theory two decades later. Those who read White Space will encounter them with some different names, but the principles remain the same. For instance, let’s check out the website Clean Up Your Mess.

What Not to Do

Golumbiski and Hagen’s layout sins. How many sins does your image have?

Examples.

Works Every Time Layout

My bad to those on the Design team–I forgot I had a .pdf of the entire.

Homework

Redesign your ugly flyer, clean up its mess, using G+H’s Works Every Time Layout as a guide. You can use any technology you are comfortable with for your redesign. I’m not looking for a Canva template here–I am looking for you to design something (metaphor calculators vs boats).

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ENG 225 7.R: Project 2 Team Formations

Today’s Plan:

  • Review Methodology Basics by Discussing Burgess et al.
  • Team Gender and Team Race
  • Starting Questions
  • Homework

Review Methodology Basics

Last class I introduced the 3 core methodological questions:

  • How did they collect the objects they wanted to analyze?
  • How did they analyze them? What measurements did they take? What “tools” did they use?
  • How did they ensure reliability? If there tools require human judgement, then how did they attempt to reduce variability or noise?

Those are the questions researchers use to gather evidence, analyze it, and produce knowledge. So, how does Burgess address this in its three different studies?

A Key Methodological Tool: The Likert Scale

While the term likert scale might be unfamiliar, I can almost guarantee you’ve encountered one before.

  • It is very likely you have encountered a Likert scale
  • It is likely you have encountered a Likert scale
  • It is neither likely or unlikely you have encountered a Likert scale
  • It is unlikely you have encountered a Likert scale
  • It is very unlikely you have encountered a Likert scale

Note: social scientists and marketers often omit the middle option above. Doing so forces a respondent to make a decision–and often the hardest decisions are those that require us to put something above or below the median cut line. The middle option provides respondents with an opt out.

Note: If you do a ranking scale, make sure you tell someone whether 1 is their favorite/good or 1 is their least favorite/bad.

I’ve already shared a few scales from previous semester with you. A refresh:

Story Driven Female Protagonist Tool

Is this character highly sexualized?

  • Highly sexualized (4)
  • Somewhat sexualized (3)
  • Somewhat unsexualized (2)
  • Highly unsexualized (1)

Let’s give this a try.

Race Research: Representation of Latino Characters

Does the character fit one of the following archetypes?

  • Spicy sexpot [oversexualized characters]
  • The maid / domestic servant
  • The gangbanger / drug dealer
  • Spanish only speaker / hyperbolic accent

Even this group was able to construct a Likert scale for these archetypes:

  • Very sexpot (4)
  • Somewhat sexpot (3)
  • Somewhat un-sexpot (2)
  • Very un-sexpot (1)

It isn’t as “clean” as the gender question, but it works.

Developing a Project

A few pointers. First, think about whether you want to analyze games covers, character selection screens, free mobile games, console games, a specific genre of games (sports games, non-major sport games, racing games, rpgs, fps, games marked E for kids, etc etc), user reviews of games, game trailers, etc etc. What are you going to look at? Are you going to check to see if a game has a Damsel in Distress, for instance? Or to see if the game has a non-male playable character? Or to see if the character creation process has start body size differences between male and female characters? Some of these things take more time to check than others–but I will set my expectations for what you do based on how much time it takes to process your research objects.

Second, think about what you are going to look for. I’d like for you to have one or two research questions to check. The gender group above asked the sexualized question, which is easy to see and measure. But they also asked an “empowerment” question, which was a bit trickier to suss out from looking at a game cover. Finally, they asked what we called the “Hawkeye” question: If the character is a woman, would it be weird to see a man in the same outfit? [Very weird, Somewhat weird, Somewhat normal, Very normal]

Group Spaces

Team Race:

Team Gender:

Homework

TBD.

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ENG 123 7.W: Constructing a Collaborative Annotated Bibliography

Today’s Plan:

  • Annotated Bibliograph
  • Homework Reminder

Collaborative, Annotated Bibliography

Today most of you will be working in your team workspaces. The goal for today is to assemble all of the research you have individually conducted–and list all of the research that you plan to do–in one alphabetical list.

The plan will be to take every article from your proposal–whether a preliminary research article or a future research article–and add it to a collaborative annotated bibliography. This will involve revising the material you have and, in situations where more than one person has written an annotation, merging them. We’ll start this work in class and you will finish it for homework. The work you do assembling this out of class can go towards your 2 expected hours in the log (although I would like you to work for at least 30 minutes on something else related to the project this week–revising or combining annotations would count toward that work). Those of you working alone can take today to do some research and get ahead start on your week 7 Work Log.

To make the document more usable, we are going to use Headers similar to how we used them in your personal workspaces. Some of you have kept up with using headers and some haven’t, so lets review.

An annotation should have:

  • A first line drop indent
  • Keywords
  • Body paragraphs in block format with an additional 1/2″ indent

Homework

I’ve added the first work log assignment to Canvas.

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